Most headshot sessions are simple to execute. Your demeanor and professionalism are what make the project successful.
Schwab has very specific requirements for how their headshots are taken and delivered. The current project brief and producer direction take precedence over anything on this page.
Required for every Schwab session
01 · Before the session
Arrive early, set up, and know the look
02 · Camera settings and the look
Default settings when the brief is silent
Use these defaults unless the client has requested a shallow depth of field, which you can tell from the examples we send.
| Item | Default recommendation | Field notes |
|---|---|---|
| Lens | 100mm minimum; 70–200mm ideal | A long lens keeps features flattering and the background clean. |
| Shutter | 1/125 or 1/160 sec | Keep consistent across the session. |
| Aperture | f/8–f/16 | Open up only when the examples call for shallow depth of field. |
| ISO | 100–400 | Keep noise low for retouching. |
| Orientation | Vertical, always | Schwab requirement. |
| Lighting | Sufficient fill on both sides | No significant shadows on either side of the face. Watch for glare on glasses. |
03 · On-set standards
Once the lights are set, it’s about the person
- The headshot is more about coaching the subject than the lighting. Guide them through poses and make it a fun, relaxed experience. Have a few jokes or stories ready to keep the energy up through the whole shoot.
- Shoot everyone from both sides of their face, in a variety of appropriate poses.
- Shoot at eye level. Bring an apple box for very tall subjects so you’re never too high or too low.
- Be vigilant about anything out of place: hair caught on shoulders, visible straps, a necklace askew, a suit buttoned incorrectly, a crooked tie, an untucked shirt, or stray hair and glasses.
- Ask if you can “adjust” someone’s hair. “Fixing” implies a problem; “adjusting” sounds fine.
- Always ask permission before you touch anyone.
- Watch for glare on glasses and adjust the subject or the light accordingly.
- No crossed arms. Arms can be at the sides or hands in pockets.
- Always shoot vertical, with sufficient fill light and no significant shadows on either side of the face.
- Don’t promise anything onsite about retouching or delivery turnaround. If you don’t know the specs, say: “I’ll check with the producer on the shoot and they’ll pass those details to your company contact.”
04 · Onsite selections and naming
One pick per person, named exactly
Each subject’s selection must be renamed exactly in this format, with capitalized first letters. Incorrectly named files will need to be redone.
LastName_FirstName.jpg
05 · Delivery to our gallery system
Two galleries, one dated folder
Deliver two sets of full-resolution JPGs to the Associate Upload Area: the subjects’ selections in one gallery, and every other image from the shoot in a second gallery.
Upload steps

06 · Session checklist



