Having been a fan of Ren & Stimpy from years ago, I was psyched to see Powdered Toast Man at Holy Cow last night – definitely a great costume! Here he is with some fools who probably are out of Powdered Toast. Lots of fun costumes for the party last night. Even the Supreme Leader had time to kick it with some Western homies:

Well, just got back from photographing at City Hall for the Mayor’s reception of Aer Lingus which just started service to San Francisco. The studio was shaking quite a bit and I heard something crash upstairs. My earthquake bobblehead was even bouncing a bit… (re-enacted in the photo above). This was the biggest shake I’ve personally felt in my nine years in San Francisco and it lasted pretty long!

Photographer Anton Corbijn’s debut as a director is Control, a biopic about Joy Division lead singer Ian Curtis, and it’s a wonderful film. Having been heavily influenced by the Manchester sound and aesthetic, it was nice to see this film and how Corbijn treated the subject matter. The film is infused with the music and feel of 1970’s Manchester (Macclesfield, more specifically) and those who are familiar with that era and time will get a kick out [...]

Having been a fan of Ren & Stimpy from years ago, I was psyched to see Powdered Toast Man at Holy Cow last night – definitely a great costume! Here he is with some fools who probably are out of Powdered Toast. Lots of fun costumes for the party last night. Even the Supreme Leader had time to kick it with some Western homies:

Well, just got back from photographing at City Hall for the Mayor’s reception of Aer Lingus which just started service to San Francisco. The studio was shaking quite a bit and I heard something crash upstairs. My earthquake bobblehead was even bouncing a bit… (re-enacted in the photo above). This was the biggest shake I’ve personally felt in my nine years in San Francisco and it lasted pretty long!

Photographer Anton Corbijn’s debut as a director is Control, a biopic about Joy Division lead singer Ian Curtis, and it’s a wonderful film. Having been heavily influenced by the Manchester sound and aesthetic, it was nice to see this film and how Corbijn treated the subject matter. The film is infused with the music and feel of 1970’s Manchester (Macclesfield, more specifically) and those who are familiar with that era and time will get a kick out [...]