Last night being the only night I’ll be in San Francisco the rest of this month after returning from shooting up in the Pacific Northwest, I decided to go out and my friends were invited to see The Lovemakers play at the DNA Lounge in SOMA so I took along my camera and snapped a few shots off during their set. I hadn’t heard them before, but it was a pretty good show.

_after _before With the volume of work they do, while trying to maintain a high standard of artistic expression, i’ve been a big fan of adobe’s recently launched lightroom. It’s an superbly design program that takes the tedium out of working with so many images. I could go on for a couple of hours about it but any one working with a lot of imagery these days should consider downloading it and trying it out.

Another fabulous headshot test shot of Erwin our ace intern! We had a big crew shooting last night as we had 16 of the Orange team on hand for a pretty big shoot. Setting up was the biggest challenge and coordinating the logistics involved a lot of planning and gear. We pretty much cleaned out the studio bringing in 14 lights, five powerpacks, and four monolights.

Last night being the only night I’ll be in San Francisco the rest of this month after returning from shooting up in the Pacific Northwest, I decided to go out and my friends were invited to see The Lovemakers play at the DNA Lounge in SOMA so I took along my camera and snapped a few shots off during their set. I hadn’t heard them before, but it was a pretty good show.

_after _before With the volume of work they do, while trying to maintain a high standard of artistic expression, i’ve been a big fan of adobe’s recently launched lightroom. It’s an superbly design program that takes the tedium out of working with so many images. I could go on for a couple of hours about it but any one working with a lot of imagery these days should consider downloading it and trying it out.

Another fabulous headshot test shot of Erwin our ace intern! We had a big crew shooting last night as we had 16 of the Orange team on hand for a pretty big shoot. Setting up was the biggest challenge and coordinating the logistics involved a lot of planning and gear. We pretty much cleaned out the studio bringing in 14 lights, five powerpacks, and four monolights.